More reviews from the UK! The British fine arts magazine Modern Painters offers its thoughts on LaPorte, Indiana in their new issue:
Roland Barthes famously noted that in the 1953 film Julius Caesar, coiffure guaranteed historical authenticity: The cod-classical fringe flagged the male actors' Roman-ness. In Jason Bitner's selection of found studio portraits from the 1950s and 1960s, the equivalent ensign is a little tuft of hair that sticks straight up from a brutal haircut.

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